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Posted 15 Aug 2010

Joost Meuwissen, ‘zum Thema: Der Luxus der Leere’, Die Theresienwiese. Analyse und Betrachtung. Herausgegeben von Mathieu Wellner (Köln: Verlag der Buchhandlung Walther König, 2010), 30-31.

 

30

zum Thema: Der Luxus der Leere

 

Joost Meuwissen

 

31

 

 

 

 

 

 



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Mike Ramsauer, Lammerland, 2010.
© Courtesy of Mike Ramsauer.
Post
Posted 20 Nov 2008

´Alpensymphonie´, Alpinresort Enns-Pongau. Nachhaltige Entwicklungsstrategien des ländliches Raums im interkulturellen Fokus. 3. Transalpines Architekturlabor März-November 2008. Radstadt / Graz / Wien. Mukwonago / Milwaukee (Radstadt/Wien: KMT/n-o-m-a-d, 2008), 16-21.

 

Alpensymphonie

 

Joost Meuwissen

 

16


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Karl Friedrich Schinkel, Arrangement of the Lustgarten greeneries and fountains, drawing painted in watercolours, 1828, Staatliche Museen Kupferstichkabinett und Sammlung der Zeichnungen, Berlin.
© Peter Springer, Schinkels Schloβbrücke in Berlin. Zweckbau und Monument (Frankfurt am Main – Berlin – Wien: Propyläen Verlag, 1981), 214.
Post
Posted 01 Jun 2005

Joost Meuwissen, ‘The Pharmacy’, Monu magazine on urbanism #03 July 2005 (Kassel: University of Kassel Department of Architecture, Townplanning, Landscapeplanning, Faculty: Entwerfen im städtebaulichen Kontext, Urban Architectural Studies UAS, Prof. Wolfgang Schulze, 2005), 50-54.

 

50

The Pharmacy

 

Joost Meuwissen

 

Why is it that from all the famous buildings which surrounded one of the most beautiful squares in the world, the Berlin Lustgarten by Karl Friedrich Schinkel from the 1820s, all of those buildings became extremely admired and analysed, ...


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Project
Project added 01 Jul 1999
Project type ideal city

Joost Meuwissen and Matthijs Bouw, Read this book, commissioned by the Vedute Foundation, Amsterdam, July 1, 1999. Vedute collection 00:00 Time & Duality, Nr 0137, at the Netherlands Architecture Institute, Rotterdam.

 

Read this book.

 

“Joost Meuwissen and Matthijs Bouw wanted to make a book with a dangerous content. It invites the reader to read from it, in the imperative, that is. The manuscript is a wordless book. On opening it, the tension of the existential moment is revealed.” (www.vedute.nl, December 21, 2010).


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